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Family at Heart of Winterthur

Family has been at the heart of Winterthur’s story since the du Ponts settled here more than 200 years ago.

Today, Winterthur is still about family, with the Enchanted Woods play area enthralling young children for hours and upcoming programs that will entertain and educate family members, young and not-as-young alike. In fact, this fall we’re expanding our family programming on Saturdays, so stay tuned for more on that.

But summer is here, and there is much to do. We have Story Time scheduled for July 6 and 20, and our popular Terrific Tuesdays begin July 4 and continue weekly in July and August from 10 am to 3 pm.

Terrific Tuesdays this year will tell the story of the families who lived, worked, and played at Winterthur for decades before it became the museum, garden, and library that it is today.

Crafts, games, and demonstrations— all inspired by families who called this place home— will introduce history, art, conservation, and storytelling to kids ages 3 to 10 and the adults they bring along.

Winterthur has been home to three generations of the du Pont family, and it was a self-sufficient community where more than 250 people ran a thriving farming operation that included beef and dairy cattle, sheep, pigs, poultry, horses, fruit, and vegetables.

Today we’re going to tell you some stories that were collected in 1973 from Maurice Gilliand, who began in 1944 to serve as a footman to Winterthur Museum founder Henry Francis du Pont (1880–1969). As Gilliand would quickly learn, du Pont was a renowned horticulturist with specific tastes, a love of food, an eye for décor, and a complicated disposition that could be prickly and kind, oftentimes at once.

Gilliand came from France to America in 1930 and he worked in houses on Long Island before coming to Winterthur. Gilliand’s wife, Doris, was hired as a chambermaid, and the couple lived in a small house on the estate.

There were about five footmen and a butler among a staff of 20. After two years, Gilliand was promoted to butler. Gilliand was flattered when du Pont made the offer, although he noted that du Pont warned him at the time that he was demanding and expected perfection. Gilliand nonetheless accepted and went on to learn a lot from du Pont.

“My duties were to set the table, of course, serve the meals, serve the teas, and serve cocktails and all that, and I was the man responsible to Mr. du Pont for the rest of the staff,” Gilliand recalled during an interview that is part of ongoing initiatives to preserve the history of the estate.

Maurice Gilliand prepares for guests

“And you directed the rest of the staff?” the interviewer inquired.

“I must say Mr. du Pont was the head butler,” Gilliand replied.

“Just as he was head gardener,” the interviewer observed. “Was the operation here different in any way from the other houses you had worked in? Was Mr. du Pont special in his approach?”

“Well, yes, much more so because any other house where I worked, the lady was in charge, but here Mr. du Pont was in complete charge of the house and planned everything, planned all the menus, and planned all the table settings,” Gilliand said.

On the weekends, the house would be filled with 16 to 18 house guests, with other visitors present only for meals, making two dozen people for a formal dinner.

On Wednesdays, a gardener would bring flower samples into the house for du Pont and Gilliand to match with china, table mats, and glassware for the dinner.

“Sometimes Mr. du Pont would ask me my opinion and then would say, ‘Maurice, Maurice, you must be color blind!’,” Gilliand remembered. “Now and again, Mr. du Pont would give me a free hand to make a selection. On one occasion when guests entered the dining room, they exclaimed, ‘Oh, Harry, Harry what a beautiful combination,’ and Mr. du Pont replied, ‘Oh yes, I have had this set of china for a long time, and this is the first that I was able to match it successfully.’ As I was standing nearby, he looked at me with the corner of his eye and winked, but he said, ‘I must admit to you it was Maurice who achieved this masterpiece.’ After dinner, Mr. du Pont put his hand on my shoulder and said, ‘Maurice, you have learned your lessons well, you are not color blind any longer.” This shows you that when you knew Mr. du Pont’s likes and dislikes, it did not take much to make him happy.”

The weekend guests arrived on Friday afternoons and were received in Port Royal Hall.

In the hall, it was mandatory for guests to sign the guestbook. Then tea was served in Port Royal Parlor, after which guests were taken to their rooms, Gilliand said.

Port Royal Hall
Port Royal Parlor

The footmen served cocktails at 8 pm in the Chinese Parlor and dinner at 8:30 in the Du Pont Dining Room.

Chinese Parlor
Du Pont Dining Room

“The food was plain, but the best, as it was nearly all produced on Winterthur Farms,” Gilliand recalled.

While the guests were dining, footmen and chambermaids took turns scrambling upstairs to tidy the guests’ bedrooms and put away all their clothes and belongings. They also removed the “good bedspreads” so no one would lie on them. Those bedspreads were just for decoration.

The du Ponts and their guests played bridge after dinner (Mr. du Pont was an expert) in the Chinese Parlor and the Marlboro Room.

Marlboro Room

Footmen served refreshments and sandwiches at 11 pm, and the game would resume until the wee hours of the morning.

Other nearby rooms—the Baltimore Room, Chestertown Room, and Empire Parlor–were never used for entertaining.

Baltimore Room
Empire Parlor

“These rooms were only for show,” Gilliand said. “Guests were never allowed to sit. Mr. du Pont was very strict about that. If he caught any sitting or leaning— No those were not used.”

Chestertown Room

Though the Chestertown Room was referred to as the “breakfast room,” the du Ponts and guests never ate there. They were instead always served breakfast in their bedrooms.

Gilliand said he believed he had only ever made one serious mistake for Mr. du Pont, and it wasn’t leaning on the furniture.

“I’ll never forget it the rest of my life,” Gilliand said.

Du Pont had told Gilliand to telephone a woman and include her on the guest list for an upcoming occasion. Unfortunately, Gilliand misunderstood the name.

“I came back to Mr. du Pont, and I said, ‘Mr. du Pont, Mrs. So-and-So accepts with pleasure,’” Gilliand said. “He said, ‘What lady?’ I said, “Mrs. So-and-So you invited.’ He said, ‘Maurice, damnation, damnation, how could you do such a thing, how could you? I didn’t want that lady for this dinner.’”

At that point, it was up to Gilliand to find a gentleman who could accompany the woman to the dinner. Or, at least, those were Mr. du Pont’s orders.

But Gilliand chose to solve the problem in a more straightforward way: He called her back and admitted his mistake.

He asked the woman if he could tell Mr. du Pont that she had overlooked a scheduling conflict and could not attend. He also asked whether she would keep the matter between herself and Gilliand.

She said, “Oh, don’t worry, Maurice, it won’t go any further.”

Gilliand returned to the study where Mr. du Pont was speaking with someone. Du Pont immediately told Gilliand to enter, as he always did, and the butler explained, “Mrs. So-and-So didn’t realize she had a previous engagement and she will not be able to keep your dinner date.”

Du Pont replied, “Maurice, too bad, too bad, sorry to hear about that.”

Gilliand said he did not know du Pont’s wife, Ruth, very well because she dealt exclusively with the female servants.

But Gilliand did know that she liked to tease her husband by pretending she could not hear him.

“So, he would repeat it and she would say, ‘What did you say, Harry?’ and he would blow his top,” Gilliand said. His wife would laugh and smile.

One time, du Pont yelled at Gilliand for something similar.

Gilliand legitimately did not understand something du Pont was saying, partly because he was speaking while holding a cigarette in his mouth.

After Gilliand twice asked du Pont to repeat himself, du Pont began to yell.

“So, I just walked out very quietly into the pantry and stayed there for a couple of seconds and I walked back and said, ‘Now, sir, what is it you are trying to tell me?’ Very nicely he came and told me what he wanted. After that, he never shouted at me, never.”

Du Pont treated his staff well and worked alongside them, Gilliand said.

During the week, Mr. du Pont would be up at 6 am and have a simple breakfast of “a glass of milk and a glass of orange juice.” He would then receive all the supervisors of the estate in his study to get an update on operations.

On the occasion of a large wedding with several hundred guests at the estate, du Pont threw a party for the staff when the wedding and reception were over.

“He left me enough wine, champagne, and whiskey to share with the staff,” Gilliand said.

Maurice Gilliand

“Mr. du Pont was a very good employer, kept many of his people for a lifetime,” Gilliand said. “He never was too busy to chat, or discuss problems, if any, and help you if he could. To me, he was a friend. I am still grateful for all the knowledge he gave me of American art, and he is missed by many of us.”

You can learn more about life at Winterthur during the upcoming Terrific Tuesdays.

The family that will be featured on the first Terrific Tuesday had roles running Winterthur’s post office, with the father also serving as a chauffeur to Mrs. du Pont.

One of the girls in the family recalls being on the farm with the du Ponts’ daughter, Ruth, and going with her to drink milk “straight from a cow.”

Bottoms up, and see you at Terrific Tuesday!

Cows on Winterthur farm
Featured

Millions of Bulbs?

The upcoming Bank to Bend event on March 9 celebrates the snowdrops on the March Bank, which also features winter aconites, snowflakes, and crocuses—and this year, because of the mild weather we are already seeing daffodils, scilla, and squill popping through the leaf litter. One of the questions that comes up often but that I am always a little hesitant to answer is, “How many bulbs are there in the March Bank?” I always say millions, with my fingers crossed behind my back because, after all, I have not counted them.

I finally decided to resolve this nagging doubt. Using Google Earth, I plotted the area of the March Bank, following the general boundaries of the area that we used for its restoration, but decreased them slightly. I drew a line from the Scroll Garden to the 1750 House, then over to Magnolia Bend, but I excluded the Glade. The area enclosed by this measurement is 6.9 acres, or 300,564 square feet.

Looking at one square foot of the March Bank, I chose an estimate of 10 bulbs per square foot. This number is very conservative—some areas have as many as 40–50 bulbs in a square foot, whereas others have only a few or no bulbs, including the paths and watercourses. So, 10 is probably a fair guess.

Next, I multiplied 300,564 (the number of square feet) by 10 (the average number of bulbs per square foot) and got 3,005,640 bulbs. Even if my assumptions are off by half, it would still be more than a million bulbs. I propose that saying the March Bank has “millions of bulbs” is well within the margin of error.

Please join us on March 9 to see these beautiful bulbs for yourself on a guided or self-guided walk.

Post by Chris Strand, Charles F. Montgomery Director and CEO of Winterthur

Artisan Market Guest FAQ

How do I purchase tickets?

Artisan Market tickets go on sale beginning May 3. You can purchase online or by calling our reservations team at 800.448.3883.

New this year! Advanced tickets required. All guests are required to purchase an event ticket in advance for either:

  • Friday, July 19 | 12:00–6:00 pm
  • Saturday, July 20 | 10:00 am–4:00 pm
  • Sunday, July 21 | 10:00 am–4:00 pm

What is included with my Artisan Market Admission ticket?

  • With your Artisan Market ticket, visit 100 local artisans on-site.   
  • Live music will be featured throughout the weekend in various locations, including Market Bites (near the Greenhouses), Clenny Run Lawn, and Enchanted Woods.
  • Your ticket includes access to the self-paced house tour (on a first-come, first-served basis as capacity is limited), galleries, garden, and estate. No garden tram tours will be offered this weekend. 
  • This is a rain-or-shine event.   

What is the cost to attend Artisan Market?

Early Bird ticket pricing is available May 3–June 30, 2024. After June 30, standard pricing is in effect for Artisan Market.

  • Adult: $25 through June 30; $35 after June 30
  • Member: $0 through June 30; $10 after June 30
  • Member guest passes:  $0 through June 30; $10 after June 30
  • Senior (62+): $23 through June 30; $33 after June 30
  • Student (13 and older; valid ID required for college students): $23 through June 30; $33 after June 30
  • Child (3–12): $8 
  • Infant (under 2): Free 
  • Member child: Free

Where do I enter?

  • General Parking guests, please enter “Gate 3” on Winterthur’s property. This is not the main gate to Winterthur but about 100 yards south on Kennett Pike. It will be marked with large signs. 
  • For Premium Parking guests, please enter Winterthur’s Main Gate. Your parking pass will be reviewed upon entering in order to proceed to the Visitor Center Parking lot. Please visit “What is Premium Parking?” for additional information.
  • As this is a high-traffic event, please be prepared for a short wait while entering the estate. There will be a police escort managing traffic on Route 52/Kennett Pike, but please be patient as we navigate the larger-than-normal crowds. We ask that you have your tickets ready upon entering the gate. 

Where do I park?

  • All non-premium parking guests will park in the field for the day. Once parked, please make your way to the “Check-in Tent.” 
  • Please have your tickets readily available to be scanned to receive your wristband. Guests will then board transportation to take them to the main garden area of the Artisan Market. Guests will not be able to enter the event without a wristband. 
  • For Handicap/Accessible Parking, please have your tag visible when entering the estate. Parking attendants will guide you then to the reserved handicap spaces within the field.

What is Premium Parking?

  • Premium Parking is available on Saturday and Sunday of Artisan Market weekend.
  • This parking area will provide access to the Visitor Center Parking Lot, which is the closest area for guests to park and walk to the Artisan Market activity. There is a limited number of spaces available for each day.
  • Guests will receive a one-day parking permit for the registered vehicle prior to Artisan Market weekend via mail, or you may pick up the parking pass by July 1 at the Visitor Center. 
  • Parking passes must be displayed on the mirror/dash when arriving at Winterthur’s Main Entrance during the designated day of your tickets; otherwise, you will be directed to the General Parking area.
  • Once parked, you will walk to the Visitor Center Lobby to finish checking in to receive your wristband. Please have your pre-purchased tickets readily available to be scanned upon arrival.  
  • There are a limited number of Premium Parking spaces available for Saturday and Sunday, with passes valid for one day only. Premium Parking purchases will end on July 1, 2024.

Where is Handicap Parking available?

  • Please have your Handicap Parking tag on display when you enter the estate. You will be directed to the handicap spaces in the parking field and will have your ticket scanned at the Check-in Tent. 

How best do I navigate the grounds?

  • Winterthur is a vast estate with uneven terrain. Please plan accordingly for this summer day with appropriate footwear and attire. There will be various transportation vehicles available for guests to get to each Artisan Market “hub” throughout the estate.
  • While you’re joining us, be sure to explore the garden, the galleries, and self-guided house tour to experience all that Winterthur has to offer. Please note that, while a house tour is included in your ticket, we will have limited capacity this weekend. House tours will be provided on a first-come, first-served basis. 
  • As it is summertime and Artisan Market occurs outdoors, please be sure to bring a water bottle and breathable clothing. There will be shaded areas throughout the estate. There are water fountains located inside the Brown Horticultural Center and the Galleries Reception Area. Water bottle filling stations are available outside of restrooms and in the Head House, but it will be a warm day, nonetheless.
  • Artisan Market weekend typically welcomes over 5,000 guests across the three days. Please be mindful of the crowds when planning your visit. There will be many Winterthur team members along the way to happily answer your questions. Look for anyone with a green button!

What transportation options are available?

  • Shuttle buses and open-air trams will be available to transport guests throughout the estate. Once you have parked and checked in, you will hop aboard a vehicle to transport you to the Visitor Center to begin your day. All shopping locations are also walkable; each is about a 5–10 minute walk from the other. 
  • Transportation will be roving throughout the estate all day for you to hop on and off. Please note where the stops are located on the map and reference the names in case you need assistance: Visitor Center, Greenhouse, Clenny, Enchanted Woods, and Parking.
  • Please utilize all transportation as needed throughout the weekend as each will allow you to visit all aspects of Artisan Market. All vehicles will go to all stops and will be on the same route. For questions, please visit any Information Hub or ask a Winterthur Team Member (look for someone with a green button affixed to their clothing).

Where can I fill my water bottle and use the restroom?

Along with the food trucks and cafes located throughout the estate to purchase water and beverages, there will be several water bottle filling stations/water fountains available as well as restrooms in the following places:

  • Visitor Center
  • Brown Horticulture Learning Center (Greenhouse area/Market Bites)
  • Museum Store
  • The Galleries (Aspiring Artisan location)
  • Reflecting Pool (along the walking route from The Galleries to Enchanted Woods)
  • Quarry restroom (adjacent to Enchanted Woods)

Where do I retrieve my concierge large item pickup?

  • Should you purchase a large/oversized item (e.g. furniture, lawn items, paintings, etc.) and are unable to carry it by hand or take it on the tram/shuttle, you are welcome to use the Concierge Product Delivery service provided by the Winterthur team. 
  • Each artisan will have “yellow slips” that you will fill out with contact details for the purchased item. 
  • Items will be transported to the Picnic House (a small building located toward the back of the Visitor Center Parking Lot), where you will be able to pick the item up when you are ready to depart.
  • If you parked in the “General Parking” field, please make your way to your vehicle, enter Winterthur’s Main Gate, present your Concierge “pink slip” at the Guard House, and make your way to the Picnic House, as directed, for your item.
  • Please feel free to ask an artisan about this service so you don’t have to carry items throughout your time.

What is the weather protocol?

  • The event is rain or shine for all three days. No refunds will be given.

Are dogs welcome to join?

  • Service dogs only are permitted on the Winterthur estate.

How do I become a Winterthur Member?

  • We welcome our Members to join this festive weekend with Member benefits including discounted ticketing for all ticket options. 
  • Member tickets will be free of charge through June 30 during the Early Bird period and $10 for tickets reserved after June 30.
  • Should you wish to become a Winterthur Member, please visit our Membership webpage for more information, or visit the Visitor Center during Artisan Market weekend for more information or to join.

What house and garden tours will be available?

  • There will be no reserved guided tours in the house during Artisan Market weekend and no Garden Tram Tours will run due to the large crowds. 
  • The self-guided house tour will be open with limited capacity; first-come, first-served. 
  • Entry to the house tour on Friday, July 19, will be from 12:00 to 5:15 pm with house access closing at 6:00 pm. On Saturday and Sunday, July 20–21, entry to the house will be from 10:00 am to 3:45 pm with house access closing at 4:00 pm.

What reciprocities are accepted during Artisan Market weekend?

  • ACCESS, Museums for All, the Delaware Libraries Museum Pass Program, and the Brandywine Treasure Trail Passport will all be accepted during Artisan Market weekend.
  • ROAM, AHS, and NARM will not be accepted during Artisan Market weekend.

How does one become an artisan for next year?

  • Applications for the 2025 Artisan Market will be live on Winterthur’s website in January 2025. For more details on becoming an artisan, please visit this year’s Vendor Information Page and set a reminder to apply next year!
  • Each year, all interested artisans will submit an artisan application online for consideration. Given the competitive nature of the application process and Winterthur’s desire to have a variable selection of vendor mediums, your acceptance from previous years does not guarantee acceptance in future years.

You’ve arrived, now what?

On a normal day, Winterthur’s vast estate can be a confusing place, and now we’ve added a multitude of activities into the mix. Please see a suggested “route” to be sure to enjoy all aspects of Artisan Market and Winterthur!

You’ve parked, checked in with your ticket, received your wristband and map, and now are on your way to explore and shop. Here is a suggested itinerary for your day:

  1. Start at the Visitor Center. Fill your water bottle, use the restroom, grab a bite, and make your way to the Visitor Center Patio to start your shopping journey with about 10 artisans. 

2. Make your way up the small hill, through the tunnel, and take the first right to the Greenhouses, where you will enter the Market Bites hub. Here, you’ll find:

  • Culinary artisans
  • Seating within the Greenhouses to enjoy some food and beverage from local food trucks 
  • Live music
  • Restrooms and water fountains inside the Brown Horticulture Learning Center
  • Tour the historic Head House building and learn a bit more about how this space was used during Winterthur founder Henry Francis du Pont’s time. 

3. Follow the paved pathway lined with the market stands and make your way towards the Museum/House. If you’re interested in taking a self-guided house tour (might as well enjoy the historic home and some AC!), make your way to the left to enter the Conservatory. Please note that house tours are available on a first-come, first-served basis as the house has limited capacity. You do not need a ticket to tour the house. It is included in your Artisan Market ticket – just walk up.

4. Continue down the hill to the Museum Store for additional shopping, restrooms, and concessions inside the café. 

5. As you exit the café to the Cottage Patio, take a seat to enjoy the beauty of Clenny Run Lawn and listen to some live music before exploring the 30 artisans within this space. 

6. Meander past the stream and make your way to the West Gallery Circle to visit about six artisans and cool off with some ice cream. We call this space “The Museum” and signs will direct you. 

7. Make your way indoors to The Galleries where you will find Aspiring Artisans and the current Exhibition (water fountain and restrooms available too).

  • There is an Information Desk in this location. 

8. Then, exit on the opposite end to the East Side of the estate. Here, you can hop on a vehicle to escort you to the final major hub, Enchanted Woods, or make your way through the Campbell Collection of Soup Tureens and Reflecting Pool to the next shopping experience. 

  • In Enchanted Woods, you’ll find about 40 artisans, live music, food trucks, and a garden café to sit and enjoy the summer day. 

9. Once you’ve experienced it all and you’re ready to make your way back to your car, walk down the hill, or hop on a vehicle to take you to The Galleries. Walk through the Galleries building once more, and on the other side, hop on a vehicle to take you back to the parking area. 

Gifts for Mothers and the Special Women in Your Life

Finding the perfect present is as easy as a trip to Winterthur! Branch out from the bouquets and choose something that will be cherished for years to come. From tiny tokens to creative keepsakes, a little luxury goes a long way. Choose one or more items from the gift guides curated by our Museum Store staff to make any woman’s day. 

Adornments to Adore

Gold Plated Woven Sunstone Bracelet, $185 

Oval Sunstone Drop Earrings, $80 

Tiny Flower Pendant Necklace, $35 

Nautilus Shell and Pearl Earrings, $130 

Nautilus Shell and Pearl Necklace, $105 

Bronze Orbit and Cubic Zirconia Necklace, $225 

Sunstone and Pearl Necklace, $125 

Three Pearl Drop Necklace, $130 

Leblon Golden Grass Earrings, $35 

Leda Golden Grass Earrings with Pink Stone, $65 

Quali(tea) Time

Morris & Co. Mugs (Set of 2), $50 

Morris & Co. Honeysuckle Teapot, $50 

Morris & Co. Tiered Desert Stand, $125 

Heart-Shaped Tea Strainer, $10 

Crowned Bird Figure, $16 

Faux Peony in Vase, $12 

Ombre Twisted Tapers (Set of 2), $12 

Protea Square Tray, $96 

Teal Crack-Glazed Dish, $5 

Fern Tea Towel, $20 

Gingko Leaf Dishes (Set of 2), $20 

Embroidered Meadow Pillow, $55 

Green Thumbs Up

Charmant Garden Finial, $150 

Squirrel Garden Figure, $64 

Beehavin’ Purple Sunflower Pillow, $70 

Terracotta Toad House, $50 

Assorted Terracotta Wakefield Planters, $32 each 

Ceramic Watering Can Mug, $14 

The Garden Book, $59.95 

The Garden: Elements and Style, $49.95 

Seed Salutation Seed Packets, $8 each

Small White Metal Urn, $17 

Mini Potted Faux Ranunculus, $22 

Gardener’s Log Book, $16.99 

Outdoor School: Gardening, $19.99 

A Naturalist’s Book of Wildflowers, $22.95

Dinnerware that Delights

Assorted Floral Stoneware Plates, $11 each 

Assorted Relief Dots Stoneware Bowls, $16 each

Set a High Bar

Framed Floral Print (18”), $55 

Faux Viburnum Spray, $15 

Glass Cloche with Metal Tray, $50 

Embossed Taper Holder in Gold (18”), $23 

Etched Glass Decanter, $70 

Cobbled Bronze Pitcher $90 

Adrian Tray, $9 

Corinne Crystal Old Fashioned Glass, $55 

Corinne Crystal Coupe Glass, $75 

Corinne Crystal Martini Glass, $75 

Metal Taper Holder (3”), $10 

Antiqued Brass Flower Taper Holder, $25 

Antiqued Brass Finial Taper Holder, $20 

Glazed Pitcher, $25 

Trinkets to Treasure

Desert Flower Necklace, $305 

Desert Flower Earrings, $78 

Dandelion Ring, $148 

Black-Eyed Susan Brooch, $125 

Royal Extract Bath Salts Sachet, $8 

Royal Extract Dusting Powder, $92.50 

Royal Extract Eau de Parfum, $125 

Royal Extact Bath Salts in Decanter, $88 

Lady Primrose Body Cream, $92.50 

Antique Brass Mirror Riser, $105 

Winterthur Hand Poured Candle, $35 

Ranunculus Bundle (13.5”), $25 

Green Glass Vase, $16 

Antique Brass Swivel Mirror, $110 

Wildflower Honey Bar Soaps (Set of 5), $56 

Assorted Fluted Insect Dishes, $9 each

Sip and Savor

Harbor Boat Blockprint Round Tablecloth, $112.50 

Blue Woven Placemats (Set of 2), $55 

Rattan and Stainless Steel Cocktail Shaker, $25 

Glass and Woven Seagrass Pitcher, $35 

Drinking Glass with Woven Seagrass Sleeve, $10 each 

Brass Finish Fish Bottle Opener, $12 

Natural Woven Napkin Tray, $18 

Red Checker Paper Cocktail Napkins (20 pack), $8 

Lida Teak Wood Stand (Medium), $28 

Design Dreams

Head of Goddess Planter, $40 

Real Touch Peony Bundle (10.5”), $28.50 

Faux String of Pearls Pick, $17 

Faux Trailing Succulent Pick, $25 

Assorted Multi-Colored Vases, $10 each 

Paddybird Pillow in Lime Green and Azul (26”), $275 

Peacock Pillow in Persimmon (26”), $375 

Peacock Pillow in Azul (20”), $300 

Toile Pillow in Golf (20”), $300 

Cotton Fringe Throw Blanket, $50 

Stop by the Museum Store Tuesday–Sunday, 10:00 am–5:00 pm (general admission not required). Call 302.888.4822 or email museumstore@winterthur.org for a bespoke shopping experience provided by our talented retail team.

Make Memories with Mom this Mother’s Day

Give the ultimate gift! Time spent in the company of others or alone at Winterthur will leave her feeling refreshed and relaxed. From the smooth melodies of Bourbon and Bluegrass to the artistry of a symphony performance, we’ve curated a weekend full of memorable experiences. General Admission tickets are valid for two consecutive days (programs have an additional charge).

Purchase a Winterthur e-gift certificate or Gift of Membership online and let her fancy take flight in our museum, garden, library, and store. 

Prescribed Burn Ignites Life at Winterthur

Tendrils of haze drifted across a meadow at Winterthur on a cool morning in early March…a familiar sight after a wet and misty winter. But this was not water vapor rising from a thawing field. It was smoke from vegetation set ablaze on the grounds of the estate.

Winterthur’s Arboriculture and Natural Lands team, in collaboration with the Winterthur Fire Department, had embarked on a journey of rejuvenation through prescribed burning. A marshy meadow along the back drive and a slice of the East Barn wetlands were consumed by controlled flames, dancing with the promise of renewal.

Smoke rises as the fire does its purifying work.

Prescribed burning is not an inferno driven capriciously by the availability of tinder and the arrival of a spark and wind. In fact, Kevin Braun, supervisor of arboriculture and natural lands, had even delayed the recent managed blaze by one day due to the possibility of high winds.

A prescribed burn is not about wanton destruction but rather strategic land management.

“Controlled burns are akin to nature’s reset button, benefiting wildlife, combating invasive species, and fostering the growth of native flora,” Braun said. It’s like giving Mother Nature a spa day, complete with a detox and facial.

Kevin Braun, supervisor of arboriculture and natural lands, second from left, coordinates a prescribed burn at Winterthur.

Our estate is a tapestry of habitats, and these prescribed burns serve as catalysts for biodiversity. Think of it as an open invitation to avian friends like the eastern bluebird, red-winged blackbird, and eastern meadowlark, beckoning them to nestle in our replenished grasslands.

Birds aren’t the only ones RSVPing to the targeted areas. Native pollinators like monarch butterflies and industrious bees eagerly flit among native meadow flowers and grasses, which flourish in the aftermath of a well-executed burn.

And it’s not just about the birds and the bees. By bidding adieu to thatch (the pesky buildup of cut grass), we’re liberating our meadow plants from suffocation and ensuring that vital nutrients aren’t held hostage beneath a blanket of dry grass. It’s like spring cleaning for the soul of the land, clearing away the clutter to make room for new growth and vitality.

There are practical benefits, too. “The areas we set ablaze aren’t exactly the friendliest to mowers,” Braun added. Marshy meadows and soggy wetlands make for treacherous terrain when it comes to traditional land management techniques. The process also minimizes the spread of pests and plant diseases.

With prescribed burning, we’re reclaiming these inaccessible spaces, transforming them into havens of biodiversity and beauty. So, as the smoke dissipates and the embers fade, what remains is not just charred earth, but a promise—a promise of vibrant ecosystems, thriving fauna, and a landscape teeming with life. Here at Winterthur, we’re not afraid to embrace the flames, for we know that within their flickering dance lies the secret to renewal and regeneration.

The burn is carefully tended throughout the process.

Point-to-Point returns for 46th year

WINTERTHUR, DE (March 13, 2024) – The 46th Annual Point-to-Point Races—with thrilling steeplechase horse races, an unparalleled tailgating atmosphere, delightful parades, and family fun—will take over the Winterthur Museum, Garden & Library estate on May 5.

Tailgate parking spaces and event wristbands are on sale now. For more information and to purchase, visit winterthur.org/PTP. The Point-to-Point web page details pre-event offers, contests, hospitality tents, and more. The page will be updated periodically as the event approaches.

The sights and sounds of Point-to-Point will thrill spectators while the Winterthur Hunt area will entertain with games and activities for all ages. Point-to-Point is Winterthur’s largest annual fundraising event.

Proceeds from this year’s Point-to-Point support key environmental and landscape stewardship initiatives such as Winterthur’s Natural Lands program managing woodland, meadow, and wetland habitats throughout the estate; preservation of the Winterthur Garden; and initiatives to invite members and visitors to enjoy almost 1,000 acres of conserved land.

Tailgate Parking Spaces and Tailgate Tents

Tailgate parking spaces start at $300, and tailgate parking tents start at $750; both include four adult guest wristbands. Additional tailgate wristbands are available for purchase: $60 Guest; $30 Under 21; Children under 10 free, wristband required.

Member Wristbands

Winterthur Members can pack a picnic and join us on Members Hill for the races. Individual Member wristbands are $60 and can be purchased online.

Parking Options

Guest parking is free for wristband holders. Shorten your walk by purchasing closer parking. Premium Parking North $25/car; Premium Parking South $50/car (limited quantities).

ABOUT WINTERTHUR MUSEUM, GARDEN & LIBRARY

Winterthur—known worldwide for its preeminent collection of American decorative arts, naturalistic garden, and research library for the study of American art and material culture— offers a variety of tours, exhibitions, programs, and activities throughout the year.

Winterthur is located on Route 52, six miles northwest of Wilmington, Delaware, and five miles south of U.S. Route 1. Winterthur is committed to accessible programming for all. For information, including special services, call 800.448.3883 or visit winterthur.org.

Alexandra Cade and Tommy Dougherty

About the Artists

Alexandra Cade is a Ph.D. candidate in the history of American civilization at the University of Delaware. An interdisciplinary scholar and musician, Cade studies the material culture of music, performance, and tourism in the early 19th-century Atlantic World. She has worked at the Sigal Music Museum and Colonial Williamsburg Foundation, and has undertaken fellowships through Winterthur, the Museum of Early Southern Decorative Arts, and the Classical American Homes Preservation Trust. Cade received her bachelor of music in viola performance from the Eastman School of Music and her master of arts degree from the Winterthur Program in American Material Culture, where she completed her thesis on amateur-made antebellum American pianos.

Tommy Dougherty is a native of Pittsburgh, Pennsylvania, and is a violinist and composer of orchestral, chamber, and solo works. The Orchestra of St. Luke’s recently premiered a new work by Tommy through his participation in the DeGaetano Composition Institute, where he worked closely with mentor composer Anna Clyne. His music has been performed by the Johnstown Symphony Orchestra, American Composers Orchestra, the Modern Violin Ensemble, and Alarm Will Sound, and he is the recipient of three ASCAP Morton Gould Young Composer Awards. Tommy currently lives in San Diego where he plays with the San Diego Symphony. 

The Winterthur Suite and Ruth’s Fugue in Chinese Parlor

The fugue composed by Ruth du Pont is the most complete of her musical creations. Trained in piano at the Peabody Conservatory in Baltimore, Ruth found joy and solace in playing and listening to music. While seeking inspiration for their own Winterthur composition, Allie Cade and Tommy Dougherty found Ruth’s fugue in the archives. This became the inspiration for the final movement of the Winterthur Suite. You can hear this movement in the Chinese Parlor on the introductory tour of the house rooms.

Beginning June 8, you can listen to the full Winterthur Suite in the Transformations exhibition.

Daniel Feinberg

About the Artist | The Radish Project in Empire Parlor

Working with radish and root-vegetable plants, artist Dan Feinberg, soil scientist Dr. Mary Parr, and teams at Winterthur and from Berea College are breaking up asphalt to improve drainage on the estate. The plantings are inspired by floors and carpets in the house. The pattern of the floor in the Empire Parlor is replicated near the Greenhouses, and a planting inspired by two carpets at Winterthur runs along the trail leading to the Dairy Barn. As the radish project winds down, Winterthur will replace the radishes with native species that can continue to provide ground cover and improve drainage and soil quality. 

Read more about the radish project at Winterthur.

From June 8, 2024 to January 5, 2025 additional installations related to the radish project will be on display in the Galleries Reception Atrium and in the Galleries. 



It’s Electric! New Tram a First for Winterthur

Winterthur staff recently enjoyed a serene journey around the estate aboard the museum’s inaugural—and pleasantly quiet—electric tram.

Priced at just over $70,000, the electric tram comes with a significant advantage: it’s approximately 40 percent cheaper than its gas-powered counterpart. During a recent test run with various staff taking turns on board, the tram gracefully traversed the garden paths for three hours, utilizing only half of its battery charge.

Eileen Scheck, manager of tour programs, said staff affectionately dubbed the tram “EVelina.”

The name was chosen, not just because of the play on the term “EV” for “electric vehicle,” but also for du Pont ancestor Evelina Gabrielle du Pont Bidermann (1796-1863), the first generation of du Ponts to garden at Winterthur.

Plans are underway to procure more electric trams if EVelina proves to be a success.

Charging EVelina is a breeze, with dedicated outlets conveniently located in a barn on the estate. With Winterthur boasting 118 buildings across nearly 1,000 acres, this strategic placement ensures easy access for maintenance and charging, said John Castle, director of facilities services.

Scheck praised EVelina’s agility, noting its narrower frame effortlessly navigated the estate’s winding pathways and Garden Lane. It’s a seamless addition to Winterthur’s fleet, which now includes six vehicles for guided tours: four gas-powered trams, one wheelchair-accessible garden bus, and EVelina.

“The introduction of our electric-powered tram enhances the multi-sensory experience of our open-air tours,” remarked Scheck. “Visitors can now engage fully in the sights, sounds, and scents of the garden, making for an unforgettable journey.”

With EVelina leading the charge, Winterthur continues to embrace innovation while preserving its rich heritage, offering visitors an eco-friendly and immersive way to explore the estate’s natural beauty.

The next time you come to explore our gardens on a guided Garden Tram Tour, be on the lookout for our very own electric tram and experience for yourself the gentle serenity of a ride aboard EVelina.

By the smiles on their faces, it seems Eileen Scheck, in the driver’s seat at left, and John Castle, in the rear-facing seat at the back of the new electric tram, enjoyed the recent test run of “EVelina.”

Richard Saja

About the Artist

Richard Saja is an artist making work in Catskill, New York. After first attending the University of the Arts in Philadelphia to study surface design, he devoted his studies to the great books of Western Civilization at St Johns College in Santa Fe, NM and received a BA as a math and philosophy major. After a brief stint working as an art director on Madison Avenue, all his interests coalesced and a small design firm, Historically Inaccurate Decorative Arts, was born in the early aughts and gradually evolved into a fine art practice. 

Though he occasionally feels the need to explore avenues of expression beyond that of the needle, the majority of Saja’s work focuses on creating interferences on the formal patterns of French toile through embroidery. 

He has exhibited internationally with shows in London, New York, Paris, Berlin and South Korea and will have a solo exhibition at the Toile de Jouy Museum in Jouy en Josas, France in 2023. 

Evolving Utopia in Port Royal Parlor

Richard’s enduring love and fascination for textiles derives from the absolutely unlimited interplay of pattern, color and texture – there is no other medium where this trinity is so fully realized. He came up with the embellished toile concept while waking from sleep years ago. The original idea was to embroider Maori facial tattoos onto figures in the print but he soon discovered there were no toile prints available where that concept could be realized because of the relatively small scale of nearly all toile prints.  He thus amended the concept slightly to include any and all embellishment. Historically, toile de Jouy is a print that through its dense repetition becomes anonymous. It’s a tabula rasa begging for context not unlike a child’s coloring book. The act of selectively embellishing small areas of it automatically inverts its historical usage: suddenly the anonymity of the print is broken and it evolves through its subversion which appeals greatly to Richard. With an economy of means, a whole new context is created. There is another story there, it just needs to be drawn out. 

Samara Weaver

About the Artist

Samara grew up making artwork her whole life. Having an artist for a father deeply influenced her. Samara received a bachelor’s and master’s in architecture from Temple University which further enhanced her artistic abilities and added another layer of reasoning and functionality to her work. Through college she was also able to add other skills to her artistic repertoire, taking oil painting and glass blowing alongside architecture classes. Samara uses many different mediums, includingpaper, watercolor, clay (ceramic), wood, photography, glass, wool (felt), dyes, oil paint, and metal. Using these different mediums allows her to choose the best ones for the project she’s working on. Her work has been displayed at venues including the Delaware Contemporary, The MEzeanine Gallery, Delaware Art Museum, and the Blue Ball Barn.

Conception to Realization in Readbourne Stair Hall

Samara has always been fascinated with materiality, resulting in her artistic exploration of various materials, using them to explore texture, color, and perspective. She combines large numbers of smaller, often simple elements into multi-faceted compositions, gaining complexity and space from their combination. In Conception to Realization Samara drew inspiration from objects in Readbourne Stair Hall and Parlor—the undulating pattern of the Anna Maria Garthwaite –designed silk depicted in the gown Ann Shippen Willing wears in her portrait and the intricately rolled paper pieces in the quillwork sconces. The work also resonates with these Winterthur objects made by, or depicting women, drawing attention to the skill and creativity of women makers from the past and today.

Heather Ossandon

About the Artist

Heather Ossandon creates ceramics that reflect her distinct background. Throughout her career, she has traveled through Asia, Central America, Europe, and the United States exploring and researching ceramics. These experiences have cultivated techniques and methods that are incorporated into her studio practice. Focusing on functional pottery and sculptural still lifes, traditional practices and everyday objects take the spotlight of her work. Ossandon creates and lives in Baltimore, Maryland, and is a Professor of Art at Prince George’s Community College in Maryland. She has shown her artworks both nationally and internationally and is represented by M.T. Burton Gallery, New Jersey. 

The Dinner Party in Du Pont Dining Room

Dishes with printed and painted decoration often encapsulate imagery of an idealized vision, a moment, or historical dramas. They are forever a curious and complicated object that exemplify the nuance of class, society, consumption, but also utility, ubiquity, and charm. Pink transfer-printed dishes adorning a pine cupboard that Henry Francis du Pont credited as inspiration for beginning a collection became the starting point for the “The Dinner Party” installation.  

The details of the miniature narratives found on these pink ceramics such as Abbey Ruins, European Landscape, and Willow Pattern were used to create a newly formed ceramic assemblage. The motifs and imagery that pepper the table create a playful vision of that stretches somewhere between the 2-dimensional and 3-dimensional world. The assemblage was intended to be a puzzle of sorts, inviting the viewers to dissect and discover objects hidden within.

Read more about Heather’s previous installation at Winterthur.