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DTSTART;TZID=America/New_York:20230715T100000
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SUMMARY:Artisan Market
DESCRIPTION:July 15 & 16\, 2023\, 10 am–4 pm\nSpend a summer day—or the whole weekend—exploring Winterthur while shopping for artisan-made crafts and gifts. \nSome of the region’s most talented craftspeople will present their outstanding wares\, including antiques and collectibles\, furniture and home décor\, upcycled items and architectural salvage\, high-quality handmade crafts\, vintage clothing and jewelry\, artisanal and small-batch gourmet goods\, original art in a variety of media\, garden items\, and much more! \nArtisan Market reflects the mission of Winterthur by showcasing local artisans through a variety of handmade crafts relating to art\, textiles\, ceramics\, glass\, woodworking\, antiques\, edibles\, and gardening. Each of these categories connects to Winterthur’s past\, and we invite you to share a bit of your own history with us during this special weekend.   \nTickets\nArtisan Market is included in the General Admission ticket\, which offers access to the self-paced house tour\, exhibitions in the Galleries\, and the garden and estate. Enjoy free live music throughout the weekend. Food and drink available for purchase. Reservations encouraged—sellout likely. Members FREE—join today! \n\n\n\nMarket Bag\n  \nAdd a shopping tote to your purchase! This reusable jute bag (20″ x 8″ x 16″) is big and sturdy enough to hold your Artisan Market treasures. $10. Pick up your tote bag when you check in for the event. \n\n\nMeet Delaina Jolley\n\nArtist Delaina Jolley (photo courtesy of Nick Gould Photography team)\n\nDelaina will be one of the more than 100 artists\, musicians\, and vendors featured in Winterthur’s Artisan Market on July 15 and 16. She received an Artisan Market grant to participate. The grants encourage emerging artists and start-up businesses to take part in the event. \n“Receiving this grant means that the first step in my career as an artist starts in my home state\,” said Delaina\, an admissions counselor at Delaware College of Art and Design in Wilmington. “This will be my first time creating my own booth and showcasing my own work. I’m just excited about being around other artists\, designers\, and artisans. This is kind of like my first rodeo.” \nReceiving the grant is also about serving as an example to artisans who\, like her\, are just starting out. As she explains\, “I can show other young local artists that they can take chances\, create what they love\, and even sell their work\, too.” \nRead more about Delaina’s Debut. \nFeatured Artisans\n“Be Your Own Artisan” and create your own masterpieces alongside the immensely talented craftspeople of the Artisan Market. Select artisans (denoted by an asterisk) will offer a hands-on aspect within their space for you to create a custom and uniquely yours piece as they give you a deeper look into their craft. \n\nVISITOR CENTER PATIO\n		\n\n    \n\n\nClaire RosenVisitor Center Classic Elegance\, LLCVisitor Center Patio Henisee PotteryVisitor Center Patio   Peg and AwlVisitor Center Patio   The Farm at OxfordVisitor Center Patio  Warwick Furnace Farm*Visitor Center Patio  Works of ArtVisitor Center Patio   \n\n \n  \nCLENNY RUN LAWN\n		\n\n    \n\n\nAlex Hossick CollectionsClenny Run Lawn    Arden + JamesClenny Run Lawn    Art by Samara WeaverClenny Run Lawn    Atwater DesignsClenny Run Lawn    Beautiful Botanicals LLCClenny Run Lawn  Carvings by BruceClenny Run Lawn Cary Galbraith ArtistClenny Run Lawn   Chalktree WAX CandlesClenny Run Lawn   Elements/Jill SchwartzClenny Run Lawn   Gentry by JennaClenny Run Lawn    Gillian ValentineClenny Run Lawn   Skippy CottonClenny Run Lawn    Jennifer Hoertz MillineryClenny Run Lawn    Kara Hinson Fine ArtClenny Run Lawn  LouLou Clayton Custom Pet PortraitsClenny Run Lawn    Maria MaurioClenny Run Lawn  Miche Scott Handmade*Clenny Run Lawn  MillmontClenny Run Lawn  Pluma Avis DomusClenny Run Lawn   Raysun DesignClenny Run Lawn  reFIIND furnitureClenny Run Lawn  Saint Rocco's TreatsClenny Run Lawn  Short Sweet SaucyClenny Run Lawn  StemS VasesClenny Run Lawn  TalufaneClenny Run Lawn  Temre ArtClenny Run Lawn   TerraintexturesClenny Run Lawn    TOADSTOOLClenny Run Lawn  Walking OliveClenny Run Lawn  \n\n \n  \nSYCAMORE HILL\n		\n\n    \n\n\nAnthony TurnsSycamore Hill   Earthen ColorSycamore Hill   Fairhope GraphicsSycamore Hill    Jennifer Domal StudiosSycamore Hill   Kabyco DesignsSycamore Hill   Lillian Forziat Fine ArtSycamore Hill   Moss & BrookeSycamore Hill   OnlyInTheForest foraged botanical artSycamore Hill    Playthings StudioSycamore Hill   Pottery MasonSycamore Hill    Robert Francis JamesSycamore Hill  Salt Town Trading CoSycamore Hill    The FussyCutting Quilt ShopSycamore Hill    Whiskey HollowSycamore Hill   White Historic ArtSycamore Hill   Zachary Bloom Jewelry DesignsSycamore Hill    \n\n \n  \nENCHANTED WOODS\n		\n\n    \n\n\nAlexis Bocelli ArtsEnchanted Woods Anna Biggs DesignsEnchanted Woods Aristos’ HarvestEnchanted Woods Atelier de Jean-LucEnchanted Woods Avant~Garden PotteryEnchanted Woods Bijoux- handmade jewelry by dawn elizabethEnchanted Woods Black Creek WorkshopEnchanted Woods BPK PhotographyEnchanted Woods Chadds Ford CanvasEnchanted Woods Chester County Craft GuildEnchanted Woods Delaina Jolley Enchanted Woods Delaware Bay ClayEnchanted Woods Earthen CreedEnchanted Woods Eric Zippe Fine ArtEnchanted Woods Fusions Tasters ChoiceEnchanted Woods George Gallatig StudioEnchanted Woods GoGoGardenEnchanted Woods Grace Hunsinger Studio*Enchanted Woods Handcrafted by Abraham WarrenEnchanted Woods Unique Traditional BasketryEnchanted Woods HKM Jewelry*Enchanted Woods
URL:https://www.winterthur.org/calendar/artisan-market-3/2023-07-15/
CATEGORIES:Activity,Garden,Member,Museum
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DTSTART;TZID=America/New_York:20230420T083000
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SUMMARY:Shifting Tides: Art in the 18th-Century Caribbean
DESCRIPTION:April 20–21\, 2023\nJoin leading and emerging scholars\, museum professionals\, and community partners as we rethink narratives surrounding colonial art in the Caribbean region. Shifting Tides: Art in the 18th-Century Caribbean aims to reimagine the relationship between American historical collections in public institutions and the communities they serve. The conference is made up of an in-person symposium followed by a virtual study day\, with livestreamed roundtable discussion and an examination of paintings in the Winterthur collection. \nConference is free\, with a box lunch available for purchase. All lectures take place in Copeland Lecture Hall\, located in the Visitor Center.  \nThursday\, April 20\, 2023\n8:00 – 8:30 am: Registration and coffee\, Visitor Center  \n8:30 am: Welcome  \nChris Strand\, Charles F. Montgomery Director and CEO\, Winterthur \nAlexandra Deutsch\, John L. and Marjorie P. McGraw Director of Collections\, Winterthur \n8:40 to 10:40 am: Panel #1 \nSources and Perspectives: Rethinking the 18th-century Caribbean \nScholars will introduce new perspectives on comparative colonialism in the Americas\, on the Caribbean\, and the Atlantic world and their role in renewing our understanding of the Americas in the eighteenth century. The panel will also reflect on the ways the field of United States American and Latin American art history have engaged with this recent historiography.  \nJosé Luis Lazarte Luna (Metropolitan Museum of Art)\nChristelle Lozère (Université des Antilles)\nPedro Luengo (Universidad de Sevilla)\nEveline Sint Nicolaas (Rijksmuseum) \n11 am to 12:30 pm: Panel #2 \nCentering the Caribbean \nPanelists will present new sources that are currently employed by art historians\, scholars of material culture\, and conservators in their research on eighteenth-century art and material culture. The speakers will discuss how their sources have been key to the emergence of new ways of seeing the nature of artmaking in American colonies\, the mobility of creators\, the role of enslaved individuals\, knowledge transfer\, and mixed-race artists and artisans.  \nEmily Casey (University of Kansas)\nJaneth Rodríguez Nóbrega (Universidad Central de Venezuela)\nSophie White (University of Notre Dame) \n12:30 to 1:30: Lunch\, Visitor’s Center  \nOptional boxed lunch available for pre-purchase when you register online.  \n1:30 to 3:30: Panel #3 \nBeyond Boundaries: Artists and Creators \nThis panel will focus on individual-centered narratives emerging from research on creators\, as well as curatorial practice. The speakers will talk about their projects and discuss how such individual-centered approaches present models for shifting our approach to what American art as a field of study should encompass.  \nAlexis Callender (Smith College)\nIraida Rodríguez-Negrón (Museo de Arte de Ponce)\nMarc Vermeulen (National Archives\, UK)\nMichael Wilson (Temple University) \n3:45 to 5:15 pm: Panel #4 \nColor & Artistic Creation \nThis panel will center questions of race and colorism in Caribbean art. Speakers will discuss research and projects that address the various roles that enslaved people and free people of African and Indigenous descent played in artmaking in the Caribbean\, as well as their relationships with artistic practices in continental colonies.  \nMark Aronson (Yale University)\nJorge Rivas Pérez (Denver Art Museum) \nLucia Noor Melita (Victoria and Albert Museum) \nFriday\, April 21\, 2023\n9 am – 12 pm: Study Day \nPhysical examination and discussion of colonial paintings in the Winterthur collection\, highlighting their Caribbean connections. The selected group of paintings include those by John Greenwood\, Benjamin West\, William Williams\, John Smibert\, John Wollaston\, and Robert Feke.  \nStephanie Delamaire (Carnegie Museum of Art)\nMatthew Cushman (Winterthur Museum\, Garden & Library)\nMina Porell (The Barnes Foundation) \n***Due to space constraints\, the Study Day will be filmed and available online only. Registrants will receive further information with a link to the recording.  \n2 pm to 4 pm: Roundtable Discussion Livestream \nArt in the 18th-century Caribbean: Research\, Methodologies\, and Institutional Initiatives \nThis final roundtable brings together scholars\, museum and historic site administrators\, and community partners who have contributed to initiatives that are creating spaces for Caribbean art in their institutions and communities. They will discuss new trends and opportunities for an expanded view of the significance of eighteenth-century Caribbean art in various regional and national institutions. \nRocío Aranda-Alvarado (Ford Foundation)\nRafael Damast (Taller Puertorriqueño)\nWim Klooster (Clark University)\nLouis Nelson (University of Virginia) \nPresenters/Panelists\nRocío Aranda-Alvarado\, PhD\nSenior Program Officer\, The Ford Foundation \nDr. Rocío Aranda-Alvarado is an art historian\, curator\, and arts worker. She joined the Ford Foundation in 2018 after serving as curator at El Museo del Barrio in New York City for nearly a decade. At the Ford Foundation\, she is part of the Creativity and Free Expression team\, focusing on support for arts and culture organizations across the U.S. At El Museo\, she presented visual arts and programming that reflected the history and culture of El Barrio as well as the greater U.S. Latinx and Latin American diaspora. She organized exhibitions featuring emerging and established artists\, including Presente! The Young Lords in New York and Museum Starter Kit for El Museo’s 45th anniversary and several versions of El Museo’s biennial. From 2000 to 2009\, she was curator at the Jersey City Museum\, where she organized solo exhibitions of Chakaia Booker and Raphael Montañez Ortiz as well as many group exhibitions. Aranda-Alvarado has lectured as an adjunct professor; consulted and curated independently on Latinx and Latin American art and culture; and published and advised\, in both a scholarly and curatorial capacity\, at various institutions. She earned her PhD in art history from the Graduate Center\, City University of New York. \nMark Aronson \nDeputy Director and Chief Conservator\, Yale Center for British Art. \nMark received a BA from Reed College\, an MS in the conservation of art from the University of Delaware\, and a certificate of study in painting conservation from the Center for Conservation and Technical Studies at Harvard’s Fogg Museum. He held postgraduate fellowships at the Cincinnati Art Museum\, the Philadelphia Museum of Art\, and the Frans Hals Museum and was a guest conservator at the J. Paul Getty Museum. He is particularly interested in old and modern master painting techniques and attitudes toward restoration. He has spoken and published on the history of conservation at Yale\, light levels in Louis Kahn’s Yale Center for British Art\, the treatment of Italian Renaissance painting\, Sir Joshua Reynolds\, Benjamin West\, the Haitian painter Louis Rigaud\, and a sculpture about baseball. His teaching includes serving as a critic at the Yale School of Art and courses on the history of painting technique and painting as well as seminars on technical art history with students and faculty from Historically Black Colleges and Universities \nAlex Callender\nAssistant Professor of Art\, Smith College \nAlex Callender works in drawing\, painting\, and installation to trace and remap historical materials to explore how we might disentangle the interwoven relations of race\, gender\, and capitalism. Callender has had recent solo shows at Northeastern University’s Gallery 360\, NYU Gallatin Galleries\, the Rubber Factory (NY)\, and Michigan State University’s LookOut Gallery. Currently\, she has a public work on view at UMass Amherst commissioned by the University Museum of Contemporary Art. She has held artist residencies with the MacDowell Colony\, Schomburg Center for Research in Black Culture\, Lower Manhattan Cultural Council\, the Drawing Center’s Open Session program\, Art in Embassies Program\, the Vermont Studio Center\, Urban Glass\, the Santa Fe Art Institute\, Alice Yard in Trinidad\, and DRAW International and the BAU Institute in France.  \nEmily C. Casey\, PhD\nHall Assistant Professor of American Art and Culture\, University of Kansas \nDr. Emily C. Casey is an art historian specializing in the early modern Atlantic world. Her current book project critically examines British and American visual and material culture to reveal how the world’s oceans became a space through which networks of empire and capital were imagined and constructed. Her most recent article\, “A More Perfect Atlantic World: Abolition\, Liberty\, and Empire in Art after the American Revolution\,” critically reevaluates Samuel Jennings’s Liberty Displaying the Arts and Sciences\, which is considered to be the earliest abolitionist painting in the United States\, a version of which is in the collection at Winterthur. Casey holds a PhD from the University of Delaware\, and an AB from Smith College. She has received grants and fellowships to support her research from the Metropolitan Museum of Art\, the Smithsonian American Art Museum\, the Peabody Essex Museum\, the Library Company of Philadelphia\, and the National Maritime Museum in London. In the fall of 2022\, she joined the Kress Foundation Department of Art History at the University of Kansas. \nRafael Damast\nExhibitions Manager and Curator\, Taller Puertorriqueño \nSince joining Taller Puertorriqueño in December 2010\, Rafael Damast has curated over 40 exhibitions. As manager of the exhibitions program\, he has brought in new audiences and expanded and deepened the institution’s connection with the local community.  \nWim Klooster\, Ph.D.\nRobert H. and Virginia N. Scotland Chair in History and International Relations\, Clark University \nDr. Wim Klooster has taught at Clark University since 2003. After earning his doctorate at the University of Leiden\, he was a Fulbright Fellow\, an Alexander Vietor Memorial Fellow\, an Inter-Americas Mellon Fellow at the John Carter Brown Library\, a Charles Warren Fellow at Harvard University\, a postdoctoral fellow in Atlantic History at the National University of Ireland\, Galway\, and a fellow at the Netherlands Institute of Advanced Study in Wassenaar. His work has a strong comparative dimension and focuses on revolt and revolution\, maritime illegality\, the Dutch empire\, and Jewish trade and migration. He is the author of dozens of articles and 11 monographs and edited books\, including The Dutch Moment: War\, Trade\, and Settlement in the Seventeenth-Century Atlantic World\, Revolutions in the Atlantic World: A Comparative History\, and Illicit Riches: Dutch Trade in the Caribbean\, 1648–1795. Klooster has been coeditor of Brill’s Atlantic World series since 2001. \nJosé Luis Lazarte Luna\nAssistant Conservator\, The Metropolitan Museum of Art \nJosé Lazarte joined the Department of Paintings Conservation at the Metropolitan Museum of Art in 2016 to complete a Mellon Fellowship\, followed by a Research Scholar position\, and became a member of the staff in 2019. He works primarily with European paintings of the 16th to the 18th centuries and American paintings\, including works from colonial Latin America. Lazarte received a BA in Art Conservation (with a minor in studio arts) from the University of Delaware and an MA in Science from the Winterthur/University of Delaware Graduate Program in Art Conservation in 2016. During his studies\, he undertook internships at the Yale University Art Gallery\, the Prado Museum\, and the Fine Arts Museums of San Francisco. \nChristelle Lozère\, PhD\nProfessor of Art History\, University of the West Indies \nDr. Christelle Lozère’s work focuses on the history of art in the French West Indies in a slavery and post-slavery context (19th and 20th centuries) and the construction of colonial imaginaries between Europe and the Caribbean. She is the author of Bordeaux Colonial\, La Croisière du Tricentenaire des Antilles et de la Guyane\, and 40-some articles on the history of colonial art and the Caribbean. Her doctoral thesis won the 2011 Musée d’Orsay prize. She is also a guest researcher at the National Institute for Art History (INHA)\, the Clark Art Institute\, and the Villa Vassilieff.  \nPedro Luengo\, PhD\nAssociate Professor of Art History\, University of Seville \nDr. Pedro Luengo teaches at the University of Seville and has been a visiting scholar in the Philippines\, Mexico\, Italy\, and the United Kingdom. His research has focused on the history of 18th-century architecture in East Asia and the Caribbean\, and he is the author of seven monographs. Luengo is the principal investigator on projects financed by Spain and China\, as well as participating in others from Mexican or Brazilian institutions. He currently serves on the boards of CEHA (Spanish CIHA)\, HDH (Spanish Digital Humanities Association) and AEEAO (Spanish Association of East Asian Studies) and is a corresponding researcher at CHAM. \nLucia N. Melita\, PhD\nConservation Scientist\, Victoria and Albert Museum \nLucia N. Melita is a material scientist\, holding BSc and MSc degrees in Heritage Science. She completed her PhD at UCL and specialized in the development of nanomaterials and the assessment of long and short-term effects of innovative conservation practices. She has expertise in the analysis of a wide range of materials\, both traditional and modern\, using various analytical and imaging techniques\, as well as in the identification of conservation treatments and degradation products. Her research interests include the understanding of degradation processes and changes in material properties associated with environmental conditions and ageing in museum objects. She recently joined the British Library as conservation scientist after one year at the Victoria and Albert Museum. Prior to that\, she was an Andrew W. Mellon fellow at the British Museum\, working on the analysis of colorants in Japanese woodblock prints from the Edo period and on the laser cleaning project.   \nLouis P. Nelson\, PhD \nVice Provost for Academic Outreach and Professor of Architectural History\, University of Virginia \nDr. Louis P. Nelson is a specialist in the built environments of the early modern Atlantic world\, with published works on the American South\, the Caribbean\, and West Africa\, and is a leading advocate for the reconstruction of place-based public history. In the summer of 2020\, he was awarded funding for “Recovering Erased Histories\,” an Andrew Mellon grant supporting three team-led and community-engaged field schools to document African American cultural landscapes. He is part of the advisory team for an NEH-funded initiative to extensively revise the interpretation of the Hermann-Grima House in New Orleans. He has argued for the preservation of damage to the U.S. Capitol from the January 6 insurrection as an important threshold in the history of American democracy. On the international stage\, he is a member of the international Institute for Historical Research funded seminar “The World in a Historic House” and has just begun a new partnership with the curators of Dyrham Park in South Gloucestershire\, England. He has previously worked with the Maison des Esclaves on Goree Island\, Senegal\, and built an online platform\, the Falmouth Project\, a GIS-based data information system used as a repository for ongoing work in Falmouth\, Jamaica. Nelson is an accomplished scholar\, with two book-length monographs; three edited collections of essays; two terms as senior coeditor of Buildings and Landscapes\, the leading English-language venue for scholarship on vernacular architecture; and numerous articles. The majority of his work focuses on the early American South\, the Greater Caribbean\, and the Atlantic rim.  \nJorge F. Rivas Pérez\, PhD\nFrederick and Jan Mayer Curator and Department Head of Latin American Art\, Denver Art Museum \nDr. Jorge F. Rivas Pérez is an art historian\, architect\, and designer. Prior to his role at the Denver Art Museum\, he served as the curator of Spanish colonial art at the Colección Patricia Phelps de Cisneros in Venezuela and as the associate curator of Latin American art at the Los Angeles County Museum of Art. He is the Latin American art editor and organizer of the Mayer Center Symposium program and publications and has curated exhibitions and contributed essays to publications on a wide range of Latin American art\, architecture\, design\, and material culture topics. He received his architecture degree from Universidad Central de Venezuela\, an MA from the University of Florence\, Italy\, and an MPhil and PhD from the Bard Graduate Center in New York City. \nJaneth Rodriguez-Nobrega\nProfessor of Art\, Universidad Central de Venezuela \nJaneth Rodriguez-Nobrega is an art historian specializing in Venezuelan colonial art. She holds an MFA in History and Theory and a BA from Universidad Central de Venezuela. At the Universidad Central de Venezuela’s School of Art\, she teaches courses about the history of Latin American art. She has supervised various undergraduate and graduate theses dealing with Venezuelan colonial art\, a field in which she has distinguished herself as a researcher\, participating in various international conferences and editorial projects. \nIraida Rodríguez-Negrón\nMuseum Curator\, Museo de Arte de Ponce \nCurrently at the Museo de Arte de Ponce\, Iraida Rodriguez-Negrón has worked at the Frick Collection in New York and received the first Meadows/Kress/Prado curatorial residency from the Meadows Museum. She holds a BA with a concentration in Humanities and Art History from the University of Puerto Rico\, Río Piedras Campus; an MA with a concentration in Art History from the George Washington University in Washington D.C.; and an MPhil in Art History and Archaeology from the Institute of Fine Arts at New York University\, where she studied with the renowned Hispanist Jonathan Brown. She has published many essays in books and various specialized magazines in the U.S. and Europe. \nEveline Sint Nicolaas\nCurator of History\, Rijksmuseum \nEveline Sint Nicolaas studied socioeconomic history and cultural studies at the University of Amsterdam and has been the Curator of History at the Rijksmuseum since 1998. A key area of focus in her work is the relationship between the Netherlands and Brazil\, Suriname\, and the Caribbean Netherlands. She is the author of Shackles and Bonds: Suriname and the Netherlands from 1600.  \nEmily Thames\, PhD \nDr. Emily Thames received a PhD in art history from Florida State University in 2022. She specializes in the visual and material culture of the colonial Atlantic World\, with a focus on the Spanish Americas and the Caribbean. Her dissertation project focused on José Campeche\, a Puerto Rican artist working in San Juan during the late 18th and early 19th centuries. She received a BA in art history and criticism from the University of Arkansas and an MA from the University of North Texas; her thesis focused on a set of buttons allegedly painted by Italian artist Agostino Brunias and worn by Haitian revolutionary Toussaint L’Ouverture. She has received many fellowships and awards\, including the Joe and Wanda Corn Predoctoral Fellowship at the Smithsonian American Art Museum and the Object Research and Teaching Programming Internship at the Crystal Bridges Museum of American Art.  \nMarc Vermeulen\, PhD \nSenior Conservation Scientist\, National Archives\, UK \nDr. Marc Vermeulen obtained his PhD in Chemistry from the University of Antwerp in collaboration with the Royal Institute for Cultural Heritage (Belgium)\, where he focused on the multi-analytical characterization of natural and synthetic arsenic sulfide pigments and the understanding of their degradation processes in painted works of art. He gained experience in various heritage science labs across Europe and the United States\, including an internship at Winterthur Museum\, Garden & Library\, research positions at the Royal Institute for Cultural Heritage\, the Museum of Modern Art\, Geneva’s Musée d’Art et d’Histoire\, the Netherlands Cultural Heritage Agency\, and the Art Institute of Chicago\, where he focused on pigment characterization in easel paintings\, furniture\, works on paper\, and photography. In 2018\, Vermeulen was awarded an Andrew W. Mellon Post-Doctoral Senior Fellowship in Conservation Science at the Metropolitan Museum of Art\, where he undertook a comprehensive imaging and spectroscopic study of approximately 150 prints by Hokusai from the Thirty-Six Views of Mount Fuji series. Before joining the National Archives\, he worked as a research associate at the Center for Scientific Studies in the Arts at Northwestern University in Chicago. \nSophie White\, PhD\nProfessor of American Studies\, University of Notre Dame \nDr. Sophie White holds an MA and PhD from the Courtauld Institute of Art\, where she specialized in the study of material culture and race. She is the author of more than 20 articles and essays and two monographs\, Wild Frenchmen and Frenchified Indians: Material Culture and Race in Colonial Louisiana and Voices of the Enslaved: Love\, Labor\, and Longing in French Louisiana\, which has won nine book prizes including the 2020 Frederick Douglass Prize for the best book on slavery. She is currently completing a Digital Humanities Project on slavery for the Omohundro Institute of Early American History and Culture and is writing a cultural and visual studies history of red hair\, for which she was awarded her third NEH fellowship. \nMichael Wilson\nCuratorial Fellow\, African American Museum of Philadelphia \nMichael Wilson is a PhD candidate in the Department of Africology and African American Studies at Temple University and a Curatorial Fellow at the African American Museum in Philadelphia. His research interests include decolonial aesthetics in addition to the relationship between ancestral memory\, memorialization\, and counterarchival practices throughout the African diaspora\, particularly among artists of Caribbean descent. His publication contributions include the edited volume New Frontiers in the Study of the Global African Diaspora and the monograph Visible Man: Fahamu Pecou. \n\nThis in-person and virtual conference is supported by grants from the Terra Foundation for American Art\, the Carl & Marilynn Thoma Foundation\, and Delaware Humanities\, a state program of the National Endowment for the Humanities. \n \nPhoto: A New and Correct Map of the Trading Part of the West Indies . . . \, 1741. Published by Henry Overton I (1676–1751); London\, England. Engraving\, etching\, and watercolor on laid paper. Museum purchase with funds drawn from the Centenary Fund 2019.0034
URL:https://www.winterthur.org/calendar/shifting-tides-art-in-the-18th-century-caribbean/2023-04-20/
CATEGORIES:Conference,Museum
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/2019-0034_Map_Bearing_Witness_Exhibit.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20221110T170000
DTEND;TZID=America/New_York:20221110T210000
DTSTAMP:20260406T134541
CREATED:20220907T183109Z
LAST-MODIFIED:20240730T182114Z
UID:37271-1668099600-1668114000@www.winterthur.org
SUMMARY:Opening Night Party—Delaware Antiques Show
DESCRIPTION:Celebrate the opening of the Delaware Antiques Show with cocktails and exclusive early shopping!\n \nSponsor: $250 per person (includes admission at 5:00 pm)\nPatron: $175 per person (includes admission at 6:00 pm)\nYoung Collector (ages 35 and under): $125 per person (includes admission at 6:00 pm) \nChase Center on the Riverfront\, Wilmington\, Delaware \nRegister now! \nTickets are valid for the entire weekend. Proceeds from this year’s Delaware Antiques Show Opening Night will support key school and family educational initiatives.
URL:https://www.winterthur.org/calendar/opening-night-party-delaware-antiques-show-2/
CATEGORIES:Activity,Member,Museum
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220927T100000
DTEND;TZID=America/New_York:20220927T120000
DTSTAMP:20260406T134541
CREATED:20220222T144107Z
LAST-MODIFIED:20220925T114011Z
UID:32422-1664272800-1664280000@www.winterthur.org
SUMMARY:Home School Day
DESCRIPTION:Join fellow home schoolers in spotting frogs in the pond\, wandering along garden paths\, and learning about the plants blooming in the Winterthur Garden. Enjoy active exploration\, hands-on learning\, and creative projects for home schooled students ages 5–10.  \nRegister now.
URL:https://www.winterthur.org/calendar/home-school-days/
CATEGORIES:Activity,Garden,Museum
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DTSTART;TZID=America/New_York:20220730T180000
DTEND;TZID=America/New_York:20220730T200000
DTSTAMP:20260406T134541
CREATED:20220419T200654Z
LAST-MODIFIED:20250212T224900Z
UID:34366-1659204000-1659211200@www.winterthur.org
SUMMARY:World Embroidery Day
DESCRIPTION:Celebrate this annual day by creating a wonderful travel journal cover. The Purple Thread will take you on a journey around the world with over a dozen stitches from different countries. Kit includes 32-count linen\, floss\, fabric\, ribbons\, buttons\, charms\, and chart. $50; $45 Members. Virtual\, sold out.  \nRegister for in-person program.
URL:https://www.winterthur.org/calendar/world-embroidery-day-2/
CATEGORIES:Activity,Museum
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/2018-0029_A_detail6.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20220315T120000
DTEND;TZID=America/New_York:20220315T130000
DTSTAMP:20260406T134541
CREATED:20220223T140327Z
LAST-MODIFIED:20220814T130039Z
UID:32443-1647345600-1647349200@www.winterthur.org
SUMMARY:Objects Up Close Virtual Series
DESCRIPTION:Get a lively and up close introduction to assorted objects from a staff expert. Each month features a different theme. Registration required.  $5. Members free.  \nOff the Wall: The Chinese Wallpaper in Winterthur’s Chinese Parlor\, May 17\nThe Chinese Parlor is one of the most iconic rooms in the house\, largely due to the magnificent hand-painted 18th-century Chinese wallpaper. But how did it get to Winterthur? Join Amanda Hinckle\, assistant director of philanthropy\, as she peels back the layers to reveal a story of interior design\, business\, and betrayal. Register now.
URL:https://www.winterthur.org/calendar/objects-up-close-virtual-series-3/2022-03-15/
CATEGORIES:Lecture,Misc.,Museum
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211214T100000
DTEND;TZID=America/New_York:20211214T113000
DTSTAMP:20260406T134541
CREATED:20210802T134603Z
LAST-MODIFIED:20220304T152457Z
UID:30013-1639476000-1639481400@www.winterthur.org
SUMMARY:Objects Up Close Virtual Series
DESCRIPTION:Get a lively and up close introduction to assorted objects from a staff expert. Each month features a different theme. Registration required.  $15. $10 for Winterthur and DMNH members. \nAnatomy of Two Portraits:\nWilliam Williams and the\nHall Brothers\, December 14\nExplore business\, politics\, and the role of painting in pre-revolutionary Philadelphia as told through the study and treatment of two portraits in this talk by Matthew Cushman\, conservator of paintings\, and Stéphanie Delamaire\, associate curator of fine arts. William Williams’ portraits of William and David Hall were the first two full-length portraits of the Mid-Atlantic Region. Note: this program has been rescheduled from November 16 to this date. \nRegister now!
URL:https://www.winterthur.org/calendar/objects-up-close-virtual-series-2/
CATEGORIES:Lecture,Museum
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211201T170000
DTEND;TZID=America/New_York:20211201T210000
DTSTAMP:20260406T134541
CREATED:20211012T201244Z
LAST-MODIFIED:20220303T191128Z
UID:31196-1638378000-1638392400@www.winterthur.org
SUMMARY:Wonderful Wednesdays
DESCRIPTION:Spend an evening enjoying the holidays at Winterthur and linger longer\, as we’ll be open until 9:00 pm on Wednesdays in December. Tour the decorated mansion\, toast marshmallows by the fire\, savor a seasonal cocktail\, listen to live jazz in the Visitor Center\, choose a unique gift at our newly opened museum store\, and sing along with carolers. Each evening features a different performer and special workshop. Includes Yuletide Tour\, live jazz\, and caroling. Food and drink available for purchase. Additional fee for workshops. Included with admission. Free for Winterthur and DMNH members. House tours by reservation only\, with limited capacity. Admission (no house tour) $10. \nDecember 15\nJazz Performance—Sharon and Shawn Trio \nWorkshop—Garden to Vase Floral Design Workshop: Dual Season Door Décor \nEnjoy a caroling sing-along with the Newark Ukesters in the Galleries Reception Atrium\, 6:00–8:00 pm. \nThe Farm at Oxford will have a pop-up plant shop with amaryllis\, daffodil\, and paperwhites available\, and a quick planting tutorial\, outside the Museum Store\, 5:00–7:00pm. \nPurchase tickets. \nDecember 22\nJazz Performance—The Q Factor \nWorkshop—Winter Barn Box\, hosted by Terrarium Therapy \nEnjoy the Ursuline Academy Choir singing carols in the Galleries Reception Atrium\,  6:00–7:30 pm \nPurchase tickets. \nDecember 29\nJazz Performance—The Greg Farnese Quartet \nWorkshop—Candle Making\, hosted by Cabernet Candles \nPurchase tickets.
URL:https://www.winterthur.org/calendar/wonderful-wednesdays/2021-12-01/
CATEGORIES:Entertainment,Member,Museum
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/tony-big-cat-smith-e1634573675845.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211120T170000
DTEND;TZID=America/New_York:20211120T180000
DTSTAMP:20260406T134541
CREATED:20211011T165524Z
LAST-MODIFIED:20220324T184152Z
UID:31164-1637427600-1637431200@www.winterthur.org
SUMMARY:Candlelight Concert
DESCRIPTION:Enjoy the jazz stylings of Sharon Sable and E. Shawn Qaissaunee by the glow of candlelight. Listen to the songs of Jobim\, Joni Mitchell\, Leonard Cohen\, and many more musical masters\, delivered with sensitivity\, passion\, and a dreamy\, creative musical vision. Experience this uniquely mystical holiday jazz performance among hundreds of candles. Start the Yuletide season beautifully with us! $15; $10 Winterthur and DMNH members; $10 students ages 12–18.  \nRegister now!
URL:https://www.winterthur.org/calendar/candlelight-concert/
CATEGORIES:Museum,Program
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/sixteen-miles-out-7rGgIDEm6GM-unsplash-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20211022T170000
DTEND;TZID=America/New_York:20211022T210000
DTSTAMP:20260406T134541
CREATED:20210709T173808Z
LAST-MODIFIED:20220303T192735Z
UID:29327-1634922000-1634936400@www.winterthur.org
SUMMARY:Drive-in Movie Weekend
DESCRIPTION:Pile your friends and family in the car and take in a fun film under the night sky. All films rated PG. Gates open at 5 pm\, movie starts at 7 pm. Walk-ins welcome! \nFriday\, October 22: Night at the Museum  \nTonight\, visit the Delaware Museum of Natural History’s “mini-museum” to see some of its hidden treasures and learn about the impressive collections housed within its walls. Take home a shell or shark tooth to start your own “museum” at home. \nReserve now.     Tickets will also be sold at the door inside Gate 2. \nSaturday\, October 23: Hocus Pocus  \nReserve now.   Tickets will also be sold at the door inside Gate 2. \nSunday\, October 24: Mary Poppins Returns  \nReserve now.  Tickets will also be sold at the door inside Gate 2. \n$40 per car. BYO food and drink\, or purchase hot dogs\, hamburgers\, chips\, cookies\, soda\, and popcorn from our food tent. Movies can be viewed from cars or on the grass with BYO blankets and lawn chairs.  Admission by reservation or at the gate. Enter at Gate 2 on the Point to Point fields on route 52.
URL:https://www.winterthur.org/calendar/drive-in-movie-weekend/2021-10-22/
CATEGORIES:Entertainment,Member,Museum,Program
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/DiM_10-2020-Leitch-056.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210730T180000
DTEND;TZID=America/New_York:20210730T200000
DTSTAMP:20260406T134541
CREATED:20210428T172324Z
LAST-MODIFIED:20220303T192618Z
UID:27906-1627668000-1627675200@www.winterthur.org
SUMMARY:Stitch and Socialize
DESCRIPTION:In honor of World Embroidery Day\, spend a lovely summer evening learning (or perfecting) counted embroidery basics while completing your own needle book and accessories inspired by the seven continents. Sharon Verbos from The Purple Thread provides instruction and good-humored encouragement. The needle book includes a few pieces of wonderful vintage ribbons and lace collected on travels and the use of some old embroidery stitches!\nRegistration required. $60. $50 for Members of Winterthur and Delaware Museum of Natural History. Join us for an optional light dinner and lively conversation any time from 5:00–6:00 pm; additional $15. Can’t be with us in person? Participate virtually! (Shipping is an additional $8 per kit). \nRegister now! \nBoxed dinner options (includes kettle chips\, apple\, housemade cookie\, and a bottle of water) \nOption 1: Herbed chicken salad sandwich (grapes\, Bibb lettuce\, croissant)\nOption 2: Applewood smoked ham sandwich (Swiss cheese\, apricot chutney\, artisan greens\, pretzel roll)\nOption 3: Roasted eggplant and farro salad (leafy greens\, caramelized onion\, goat cheese\, pine nuts\, lemon vinaigrette)
URL:https://www.winterthur.org/calendar/stitch-and-socialize/
CATEGORIES:Activity,Museum
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/world-embroidery-day.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210701
DTEND;VALUE=DATE:20210801
DTSTAMP:20260406T134541
CREATED:20210617T151209Z
LAST-MODIFIED:20250221T175839Z
UID:28961-1625097600-1627775999@www.winterthur.org
SUMMARY:Free Admission for Healthcare Workers in July
DESCRIPTION:Winterthur thanks all of the dedicated healthcare workers who have helped us through the Covid-19 pandemic.  \nTo show our appreciation\, healthcare workers and one guest each will receive free admission to Winterthur’s gardens and galleries during the month of July. Simply show us your work ID or proof of employment when you arrive. You may also enter a raffle for one of 40 free one-year dual memberships—a $100 value—for healthcare workers only.  \nThis offer excludes special events and events that require a separate ticket\, though you may visit as often as you like during July.  \nPlease note that capacity is limited\, and reservations are not accepted for this offer. Tours of the house are available for $5 per person. If you would like a house tour\, please make a reservation when you visit. \nWe look forward to thanking you in person. And we thank the generous supporter who made this opportunity possible. \nQuestions? Please call 800.448.3883. \n\n 
URL:https://www.winterthur.org/calendar/free-admission-for-healthcare-workers-in-july/
CATEGORIES:Garden,Museum
ATTACH;FMTTYPE=image/jpeg:https://www.winterthur.org/wp-content/uploads/iStock-Healthcare_998313080.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210605T090000
DTEND;TZID=America/New_York:20210605T160000
DTSTAMP:20260406T134541
CREATED:20210427T153451Z
LAST-MODIFIED:20220303T191207Z
UID:27655-1622883600-1622908800@www.winterthur.org
SUMMARY:Master Craft
DESCRIPTION:Unleash your inner creativity in these classes designed to tap a variety of interests. Learn a new skill\, or exercise some dormant talents\, with the help of local experts. Take home a handmade masterpiece at the end of each session \n  \nThree Rings\, One Class\, December 4\nLearn three different techniques for making fun\, fashionable rings featuring stamped aluminum\, wire\, and beads in this workshop led by jewelry designer Gilda Jennings. Each ring is adjustable or fit to size using a ring mandrel\, and customized to reflect the wearer’s personality\, making this the perfect project for the season of giving. All materials and use of tools are provided\, but students are welcome to bring their own needle nose pliers\, chain nosed pliers\, and wire cutters if they prefer. Registration required by November 30. $30; $25 for Winterthur and DMNH members. \nRegister now.
URL:https://www.winterthur.org/calendar/master-class/2021-06-05/
CATEGORIES:Class,Museum,Workshop
ATTACH;FMTTYPE=image/png:https://www.winterthur.org/wp-content/uploads/MasterCraftWeb.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210518T100000
DTEND;TZID=America/New_York:20210518T113000
DTSTAMP:20260406T134541
CREATED:20210207T161517Z
LAST-MODIFIED:20220303T192644Z
UID:23882-1621332000-1621337400@www.winterthur.org
SUMMARY:Objects Up Close
DESCRIPTION:Tuneful Treasures\, May 18\nEnjoy a musical tour of the keyboard instruments in the collection\, including a mid-18th-century harpsichord and Ruth Wales du Pont’s 1907 Steinway piano. The tour is led by Deborah Harper\, senior curator of education\, who first visited Winterthur as a college student majoring in music. Virtual program. Registration required. $15; $10 for Winterthur and DMNH members. Register now. \nExotic\, Layered\, and Fragile Surfaces: Chinese Export Lacquerware\, June 15\nThe China Trade of the late 18th and 19th centuries produced furniture and decorative arts that tell a fascinating story of exotic places and international trade. Hear the story of lacquer in the China Trade and explore the fabrication\, preservation\, analysis\, and conservation treatment of Chinese export lacquer on wood. Virtual program. Registration required. $15; $10 for Winterthur and DMNH members. \nRegister now!
URL:https://www.winterthur.org/calendar/objects-up-close-toxic-tomes/2021-05-18/
CATEGORIES:Museum,Program
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210501T100000
DTEND;TZID=America/New_York:20210501T150000
DTSTAMP:20260406T134541
CREATED:20210422T175300Z
LAST-MODIFIED:20220303T192137Z
UID:27563-1619863200-1619881200@www.winterthur.org
SUMMARY:Curiosity Carnival: Flora and Fauna
DESCRIPTION:Celebrate May Day with a variety of floral-themed activities for all ages. Explore the exhibition Outside In: Nature-inspired Design at Winterthur\, learn about the numerous benefits of essential oils\, and meet Animal Ambassadors from the Delaware Museum of Natural History. Enjoy Curious Kids storytime at 10:30 am and 12:30 pm featuring Stellaluna by Janell Cannon\, and demonstrations with live birds by Animal Behavior & Conservation Connections from 11:30 am–1:30 p.m. Presented by Winterthur and the Delaware Museum of Natural History\, along with other community partners. Included with admission. Free for Winterthur and DMNH members.  \nRegister now!
URL:https://www.winterthur.org/calendar/curiosity-carnival-flora-and-fauna/
CATEGORIES:Activity,Museum,Program
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20210306T100000
DTEND;TZID=America/New_York:20210306T150000
DTSTAMP:20260406T134541
CREATED:20210224T202024Z
LAST-MODIFIED:20220303T192222Z
UID:23834-1615024800-1615042800@www.winterthur.org
SUMMARY:Curiosity Carnival
DESCRIPTION:Learn about interesting aspects of weather\, \nPlay “Snowman” with ABC Channel 6 meteorologist David Murphy\, who will also answer all of your weather-related questions\, from 10:00 am–12:00 pm. \nWalk to see damage from the storm that ripped through the estate last summer at 11:00 and 1:00 (max 15 people per walk\, first come\, first served) \nChat with a representative from the University of Delaware Meteorology/Climatology department about weather stations and why they are important. \nEnjoy Storytime for Curious Kids\, Rain Song by Lezlie Evans\, 10:30 am and 12:30 pm \nCome dressed as your favorite season and take a photo with Mother Nature in Enchanted Woods\, 10:00 am–12:00 pm. \n\n	Included with admission. Free for Winterthur and DMNH members. 
URL:https://www.winterthur.org/calendar/curiosity-carnival/
CATEGORIES:Activity,Museum,Program
END:VEVENT
END:VCALENDAR